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Through a series of improvised jam sessions in the ground floor of Nidia's home, the hybridization of their music became an obvious path-born from a shared desire to reveal to attentive listeners the strength of this human and musical encounter. This first chapter, released on ZZK Records-a label renowned for uncovering South American gems (Son Rompe Pera, Nicola Cruz, La Yegros...)-is carried by the singular writing and timbre of Nidia Góngora. Across the tracks, each element of the ensemble finds it's rightful place: the power of Colombian Pacific percussion and the poetry of the marimba de chonta catch us around a savory guitar riff never far from West Africa; the strength of the voices is heightened by layers of electronic textures; while drums interlock with bass keys to provide a double engine for the eponymous vessel, Nuevos Ríos. The lyrics tell of a daily life always close to nature, around a river that is both a central artery and a channel of exchange-without shying away from the harsh realities of a region scarred by Colombia's internal conflicts. 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He is a founding member of the electro-jazz quintet MUFF, the cult jazzsextet Vertigo and the duo DoMa Ensemble. Besides collaborating with many foremost artists from different genres on the homeand international scene, he has been dedicating himself to composition, writing scenic music for the theatre company Farma vjeskyni (Farm in the Cave), among otherprojects. He is the recipient of multiple Czech Music Academy Awards in the jazz category,having also been nominated for the same award on a number of occasions. While Episodes from the Spinning Ball is the firstrecording to feature Barta's work exclusively, the eponymous composition is his first piece for a large ensemble. As composerand arranger he has taken part in dozens of projects and recordings, many of which were released by the label Animal Music.The new album brings a recording of a concert performance featuring the Prague Radio Symphony Orchestra, which took placeas part of the jazz-symphonic crossover series New Horizons in February 2025 in the DOX+Multifunction Hall in Prague.Composed on a commission from the orchestra, the work formally resembles a suite in three parts. It is performed, however, asa continuous flow of music. In the author's own words, the piece \"is an attempt to evoke a story that reflects my own planetaryexperience. The rotating ball in the title is a geoid, the shape of our own planet.\" Combining composed music with improvisation,the piece bears traces of Barta's original style, known for example from his work for Vertigo or Muff. 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In recent years, Chilldspot have been actively expanding their presence across Asia, drawing increasing international attention. Blending elements of rock, jazz, funk, R\u0026amp;B, and soul, the album delivers a groove-driven sound that captures everything Chilldspot stood for in their teenage years. Titled ingredients, the album views it's 11 tracks as individual 'ingredients' drawn from a variety of genres, reflecting the band's intention to create diverse music through their evolving activities. Also not to be missed is the newly created artwork for this vinyl edition, which boldly deconstructs the original jacket design. LISTEN: https:\/\/open. Spotify. com\/album\/6zxpjA1B7uP84reP3udGXmSIDE A1. Monster 2. Yoru no Tanken3. Mitei4. Groovynight5. Neon wo KeshiteSIDE B1. interlude 2. Weekender3. Kiss me before I rise 4. hold me5. dinner6. 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With releases on Madhouse, Toy Tonics, Neo Vinyl, and Traxx Underground, as well as remixes for the likes of Waajeed, Tender Games, and Joey Negro, Black Loops continues to be in high demand and has resulted in a packed DJ schedule taking him from South Africa to Australia, from the US to Asia as well as playing regularly in Europe and his home city of Berlin.For his 'Something Special' release Black Loops treated us to three original tracks (with a fourth added for the digital package, now on the 2026 vinyl repress) which will pleased his regular followers whilst showing a development to his sound. His trademark shuffling beats, warm bouncing basslines and analog pads are all present and correct. Tracks that feel deceptively simple and minimal enough to sound lovely on big sound systems, but which also offer enough depth and musicality to touch the soul and connect with on a deeper level. 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Captured in the spring of 2003, the Lyon-based collective condensed years of experimentation into an 11-track journey that redefines what live dub can be. A moment in their evolutionSince their formation in 1997, High Tone have stood at the crossroads of dub, electronic music, rock, and urban culture. With Jarring Effects as their home base, they built a reputation for transforming the stage into a laboratory - a place where basslines mutate, beats deconstruct, and every frequency breathes.High Tone Live draws from four key releases - Low Tone, Opus Incertum, Bass Température and ADN - Acid Dub Nucleik - revisiting them through the raw energy of the stage. Classics like \"Dehli Katmandou\" and \"Enter the Dragon\" are stretched, twisted, and reborn in extended, improvisational forms. Two unreleased tracks, \"112 Dub\" and \"Onew Dub,\" complete the set, adding a dose of fresh material to a disc that feels both retrospective and forward-looking. Why this live record mattersPlenty of live albums simply document a band's tour. High Tone Live goes further - it captures the group's alchemy in real time. You can feel the tension between precision and chaos, structure and freedom. The dub elements - delay, echo, reverb - act less as production tricks and more as instruments in their own right. Every layer, every drop, is alive.At a time when the French dub scene was carving it's own identity, High Tone offered something distinctly theirs: electronic, cinematic, and fiercely independent. The sound is heavier, more immediate than in the studio. It breathes, it sweats, it moves. Not flawless - and that's the pointAs with any live recording, there are rough edges: the mix shifts, some moments feel caught mid-explosion. But that's the beauty of High Tone Live. The imperfections add warmth, immediacy - a reminder that this music is made by humans pushing machines to their limits.For newcomers, it may feel like a cross-section rather than a continuous journey, since the set pulls from several albums. Yet for fans, it's a perfect snapshot of the group's artistic peak: raw, fearless, and sonically boundless.VerdictHigh Tone Live stands as one of the strongest documents of Europe's post-dub explosion. It's a record that bridges continents and genres - a sonic travelogue where analog grit meets digital hypnosis. More than a live set, it's a manifesto of independence and sound exploration, stamped with the unmistakable seal of Jarring Effects. \"Dub is about sound treatment - delay and reverb - but it's not our musical culture. We come more from rock,\" the band once said. 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