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The album is a culmination of years of artistic exploration, mentorship, and collaborative discovery.It features standout performances, including a trumpet solo by jazz legend Randy Brecker on Pauline's original composition Just One Song and a duet with Janis Siegel of the Manhattan Transfer on the title track.This 8-track recording includes one original composition and seven interpretations of jazz standards, cinematic favorites, and musical theatre classics. The repertoire reflects Pauline's deep engagement with the Great American Songbook, the narrative richness of musical theatre, and the improvisational possibilities of jazz. Each track captures a moment of musical conversation and spontaneous discovery, anchored by Pauline's luminous voice and emotional depth. The project gained momentum in 2023, when Pauline met Siegel in Sweden through pianist Mattias Nilsson. Their first duet sparked a musical understanding that quickly evolved into mentorship and collaboration. Siegel later introduced Pauline to pianist, arranger, and producer John Di Martino, whose arrangements and artistic direction shape the album's sound. Di Martino assembled a group of top New York jazz musicians and crafted each arrangement to showcase both Pauline's voice and the ensemble's improvisational interplay. The sessions were recorded in New York with a strong emphasis on live interaction, allowing the music to unfold naturally.For Pauline, Lucky To Be Me realizes a long-held dream while marking a personal and musical turning point. Recording in New York, the birthplace of much of the music that inspired her, was both symbolic and deeply meaningful. Working closely with Di Martino, Pauline blended her Nordic sensibility with the rhythmic vitality and storytelling of American jazz. This creative dialogue has produced arrangements that honor the original material while highlighting her distinctive interpretive voice.This collaborative approach shapes the album's repertoire, which combines an original composition with reinterpretations of classics from jazz, film, and musical theatre. Tracks like Leonard Bernstein's Lucky To Be Me and Michel Legrand's Les Parapluies de Cherbourg showcase Pauline's capacity to inhabit each song fully, while Rodgers \u0026amp; Hammerstein's The Sound of Music highlight her subtle phrasing and improvisational creativity. Collaborators including saxophonist Aaron Heick, trumpeter Freddie Hendrix, and percussionists Khalil Kwame Bell and Vince Cherico bring drive and textural richness to each performance.Recorded at Trading 8s Recording Studio in New Jersey, with duets tracked in Sweden, and mixed and mastered by Dave Darlington at Bass Hit Studio in New York City, the album unites two musical worlds: a Nordic jazz voice in dialogue with American tradition, enriched by mentorship and musical lineage. 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An international collaboration that captures contemporary jazz at the intersection of American tradition and Nordic musical sensibility.The album features 7 tracks, balancing original compositions by Sands and Fonnesbaek with inspired reinterpretations of jazz standards and classic repertoire by Bobby Timmons, Luiz Bonfa, and John Coltrane. Recorded in the spirit of Copenhagen's jazz tradition it presents jazz as both a living art form of the present and a dialogue with it's past, hence the title Between Then and Now.The collaboration grew from Sands' relationship with the Copenhagen jazz scene, initiated when former Montmartre musical director Christian Brorsen discovered him online and invited him to Denmark. Like earlier generations of American jazz musicians, including Ben Webster and Dexter Gordon, Sands quickly became a compelling presence in Copenhagen, where attentive listening and subtle interplay guide every performance. Over the years, he has been a frequent guest in Denmark and loved by the audience here. Together, the trio represents a truly international jazz language. Sands is celebrated for his virtuosic piano playing, rich harmonic imagination, and improvisational energy. Fonnesbaek, one of Europe's leading bassists, offers melodic clarity and technical brilliance shaped by the Danish jazz tradition, while Kihlberg contributes a refined rhythmic approach marked by elegance, precision and responsiveness.Together they have a compelling sound of openness yet you always feel the classic American jazz tradition in the music. This is modern American\/ Scandinavian music, not just jazz.Listen to Sands' inventive arrangement of Giant Leaves, which merges John Coltrane's Giant Steps with Joseph Kosma's Autumn Leaves, served as a tribute to legendary Danish drummer Alex Riel, who influenced both Sands and generations of jazz musicians in Europe.Original compositions such as Sands' Where Children Still Play and Where the Light Settles, and Fonnesbaek's Searching in Sahara reveal the trio's lyrical and exploratory approach. 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